Tuesday, April 9, 2024

Why Did You Write That?

Over the weekend, I had the chance to present two workshops. One of the things that came up during both were questions over why agents and editors pass on projects. Now, as you know, I have talked a lot about the need for authors to do their research and know who their writing is designed for, and more importantly, why they are writing to that editor or agent. But there is another issue, and that does have to do with the quality of the author's writing. 

One of the participants didn't understand why their "beta-readers" loved their stories and yet, editors and agents were constantly passing on their projects. We all pointed out, as presenters that in so many cases, the writing simply was not strong. The response from their "beta-readers" was often coming from people who might be at the same level of writing (beginner level) or were likely family and friends who would always lean on the side of liking your stories instead of telling you what was really wrong. 

When I am working with writers, I often ask them why they are taking a particular approach in their writing. Why did they write it in 1st and not 3rd person? Why they used a prologue? Why they had their character act in a certain way? Why did they use that trope? In so many of these cases, their answers all stem around the same concept. They thought that was "what writers were supposed to do."

Wrong.

When we write a story, the approach we take has to fit with the story and what we are trying to accomplish. But, more importantly, we have to know why we are using that approach and the effect it will have on the story and the reader. For example, if we see a lot of New Adult Stories (18-23 year old characters) being written in 1st person, does that mean all stories should be written that way? No. The story dictates the approach.

I often bring this up when I am teaching academic writing. I fully understand junior high, high school, and English 101 courses have students write in a specific style. "For this assignment you will write a cause and effect paper..." But, in the real world, we select a topic that we will write about, and the topic, the thesis, and our goal of the writing will dictate if it is a cause and effect, compare and contrast, argument, etc. The same goes for our writing. 

For a lot of authors out there, they attend a workshop, read a blog, read a new technique book, or even hear from a fellow author about an approach they felt was 100% successful. With that in mind, they force that into their story. What they have failed to understand is that approach worked in that other authors story, and it does not mean it is right for their story. 

If you want to be a successful writer, you have to know why you do the things you do in your stories. You have to not just know of a technique to use, but why you would use it, if it works in your story and what the impact would be. If you don't know this yet, it is time to keep learning and not the time to start submitting to editors and agents. 

Monday, April 8, 2024

Professional Writing Is About Being Proactive

I'm going to keep it short and sweet today.

Let's start with this single statement of fact. Editors and Agents will not come running to you. It is up to you - the author - to say, "Editor/Agent? I want to talk to you. I would love to work with you!"

You have seen these sites and programs where some coordinator says, "You post your pitch with us and editors and agents will come to you and request your material." So, you post a 25 word pitch, or a single paragraph and sit back and wait. Does anything happen? You might get a request to see more, but does it really go beyond that point? Probably not!

If we requested something, there might have been a glimmer of something we might be looking for, but it will still likely be a pass.

But here is the real situation all of you are missing. Do you even want to work with the editor or agent who reached out to you? Is their business model, their approach to writing, their target audience something you are comfortable working with for years to come? Remember, editors and agents are not just about contracts. 

We can take this a step further. Do you see your fellow authors online talking about these great conferences and great speakers they have heard? You're wondering, why won't these people come to us? The answer is simple...

DID YOU ASK?

As an agent, I have reached out to writing organizations to remind them I am 100% available to come to them. I tell them what I have to offer. Often, it is just crickets. 

Now I get it. Maybe silence is a no. But when I hear chapter presidents talk about struggles to find good speakers, or presenters, other than the people they always bring in, you have to question... how proactive are they being. I follow one organization that has monthly face-to-face meetings. Easily every 2-3 months, they bring in the same speaker doing the same talk. Makes you wonder.


So, the big take-away is this. What do you want? What are you doing to get it? If you're not doing anything, it might be time to be PROACTIVE!!!!

Friday, April 5, 2024

#MSWL Spring Break Blitz - Contemporary Women's Fiction

 


Let me first say, I am not interested in stories where you will get a rejection letter from me that states you are trying to do TOO MUCH! I want stories that readers can connect with. I want stories that, if read in a book club, guide the readers to discuss not just the story, but the impact on their personal lives.

Stories need to be 75K-100K

Stories should focus on the readers seeing the world through a traditional female lens. Stories should avoid common tropes such as: road trips, finding out the spouse left them, or "everyone in the family has an issue." I always hate to say it this way, but I want these to be "real people" ...

BUT LET ME CLARIFY THIS!!!!!

I do not want a fictionalized account of real people. I do not want memoirs. I want these the be 100% fictionalized, but the characters should be people we would likely meet or see in our real life.

Stories need to have a clear theme or message for the reader. 

Thursday, April 4, 2024

#MSWL Spring Break Blitz - Contemporary Relationship Focused Stories

 


I know this might seem to be a bit vague, but you will see why. These stories need to be 75K-110K in word count and focused on a contemporary relationship between two characters as they navigate their own life and this growing relationship. These should be relationship focused with an emphasis on the characters learning something about themselves. These can be M-F, F-F or M-M relationships.